The Foundation


Diebenkorn and the Aerial View feat. curator Emma Acker Fine Arts Museums of San Francisco

28:08 2020

A digital discussion with Emma Acker, Associate Curator of American Art at the Fine Arts Museums of San Francisco, about Richard Diebenkorn’s use of aerial perspectives in many of the abstract and representational works he produced while living in Northern California as a way to express his visual, sensory, and emotional impressions of the unique climate and topography of the Bay Area—a landscape in which he was deeply rooted.

The discussion is moderated by Joyce Alcantara, Digital Engagement Coordinator at the Fine Arts Museums of San Francisco.

My Father: Richard Diebenkorn Academy Art Museum

1:04:23 2019

Gretchen Diebenkorn Grant, the daughter of artist Richard Diebenkorn, shares her insights and thoughts on the life and art of her famous father. In this intimate and thoughtful discussion, Gretchen Diebenkorn Grant reflects on his personality, career and the environment in which he produced his exceptional body of work.

Introduced by Ben Simons, Director of the Academy Art Museum, Gretchen Diebenkorn Grant spoke as part of the Kittredge/Wilson Speaker Series, while Richard Diebenkorn: Beginnings, 1942–1955 was on view at the museum in Easton, Maryland from April 26–July 10, 2019.

Michael Zakian on Richard Diebenkorn: Beginnings, 1942–1955 Richard Diebenkorn Foundation

3:11 2019

Michael Zakian, director of the Frederick R. Weisman Museum of Art, Pepperdine University, in Malibu, CA, reflects on Richard Diebenkorn: Beginnings, 1942–1955. The presentation was special as it was the only Southern California venue for the traveling exhibition, and as Zakian has remarked, “Many of the early images, influences, and references that later defined Diebenkorn’s mature drawings and paintings began here in Southern California.” The video features rarely seen and beloved works on paper, paintings, and archival photography. Of the installation at the Weisman and its impact on the public, Zakian remarks that “it shows Diebenkorn’s genesis” and that artists “really have to go through a struggle” of testing and experimenting.

Organized by the Richard Diebenkorn Foundation in conjunction with the Crocker Art Museum in Sacramento, CA, the exhibition was the first to solely examine the work Diebenkorn made nearly 25 years before his epic Ocean Park series. Beginnings featured approximately 90 works and focused exclusively on paintings and drawings made between 1942 and 1955.

Finding Diebenkorn’s Underpainting Content Magazine

4:59 2018

Katherine Van Kirk experiences galleries a little differently than your typical art museum frequenter. When she takes in a piece, her eyes are drawn to that patch of acrylic thicker than the rest of the paint, that unrelated fleck of color peeking through a crack line, that odd bit of texture mismatched with the natural flow of brush strokes. These details, so often overlooked, prompt Van Kirk to wonder if the work is hiding secrets underneath its surface.

Van Kirk, an undergraduate at Stanford University, shares her experiences of finding a hidden “underpainting” beneath renowned Bay Area artist Richard Diebenkorn’s work Window, part of the permanent collection of the Cantor Arts Center at Stanford University.