The Foundation

Videos

Richard Diebenkorn: Beginnings, 1942–1955 Crocker Art Museum

3:37 2017

Organized by the Richard Diebenkorn Foundation in conjunction with the Crocker Art Museum, Richard Diebenkorn: Beginnings, 1942–1955 was the first to solely examine the work the artist made prior to his switch to figuration. It focused on Diebenkorn’s stylistic and technical origins in oil, watercolor, gouache, ink, crayon, and collage, tracing Diebenkorn’s evolution from representational landscape, to semiabstract and Surrealist-inspired work, to his mature Abstract Expressionist paintings from the Sausalito, Albuquerque, Urbana, and early Berkeley years.

Accompanied by a fully illustrated scholarly publication by Crocker Art Museum Associate Director and Chief Curator Scott A. Shields, the exhibition countered the prevailing notion that Diebenkorn began his career as a painter in the Abstract Expressionist style. In 2018, Beginnings traveled to The David Owsley Museum at Ball State University, Muncie, IN; and Portland Art Museum, Portland, OR. In 2019, the exhibition was on view at the Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA; and Academy Art Museum, Easton, MD, through July 10, 2019.

Jane Livingston: On Richard Diebenkorn San Francisco Art Institute Visiting Artists and Scholars Lecture Series

1:30:18 2017

Jane Livingston speaking at the San Francisco Art Institute, March 14, 2017

The majority of works Richard Diebenkorn produced never left his possession, and many of these drawings and paintings on paper were never reproduced or seen until the publication of Richard Diebenkorn: The Catalogue Raisonné (Yale University Press, 2016). Co-Editor Jane Livingston spent over a decade sequencing more than 5,000 of the artist’s unique works for the publication, including: sketches; drawings; paintings on paper, board, canvas; and sculptural objects, which she likens to “throwing a deck of cards into the air and trying to make sense of them.” Livingston presents approximately 200 of these paintings and drawings that remained private and hidden for years, from the bright and light to the humanist and existentialist—a surprising “underbelly” of Diebenkorn that reveals the anxiety and difficulty, not simply the joy, that the American artist encountered in his life and process.

The program was made possible by the Richard Diebenkorn Foundation.

Richard Diebenkorn: The Long Regard Richmond Art Center

57:37 2014

Gretchen Diebenkorn Grant, daughter of Richard Diebenkorn, and Kathan Brown, founder of Crown Point Press and printer and publisher of the artist’s significant work in intaglio, talk about the long span of years watching Diebenkorn at work and being engaged by his process. The lecture took place in the gallery during the exhibition Closely Considered – Diebenkorn in Berkeley from September 14 to November 16, 2014.

Richard Diebenkorn: The Sketchbooks Revealed Stanford School of Humanities and Sciences

1:49 2015

Throughout his long career, Richard Diebenkorn kept a sketchbook—a “portable studio,” as he called it—to capture his ideas. These books span 50 years and represent the range of styles and subjects he explored, including deeply personal portraits of his wife, studies of the figure, landscape studies and compositions that point to Diebenkorn’s signature blend of figuration and abstraction.

Richard Diebenkorn: The Sketchbooks Revealed at the Cantor Art Center explored the relationship between his sketchbooks and his paintings and included loans of early works that Diebenkorn created as a Stanford student from September 9, 2015–August 22, 2016.