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New Criterion: The Critic’s Notebook

Richard Diebenkorn: A Retrospective, by Sasha Nicholas, with contributions by Steven Nash and Wayne Thiebaud (Rizzoli): One of the happy and somewhat unexpected developments in the field of art history these past five or so years has been an ascendant interest in the mid-century “Bay Area Figurative Movement,” and specifically in its two leading luminaries: […]

Crown Point Press in the ’80s

Crown Point Press, San Francisco, 9 January – 7 March 2020

Studio notes by Richard Diebenkorn

Richard Diebenkorn was an introspective man who remained skeptical of his success as an artist throughout his life. Over the years he spent countless hours sitting in a favorite chair in his studio, contemplating and looking. Perhaps it was there that he wrote thoughts that came to mind on a nearby piece of paper, some […]

Meeting Santa Cruz Island

Santa Cruz Island Port Hueneme, California Sept. 12 [1958] Dearest Phyllis, This, as usual, will have to be a short note as a busy day is about to descend. Carey leaves at one for the mainland to attend a wedding in L.A. (fly back Sunday). I declined to accompany him. This morning we will entertain […]

Left of Center: Five Years of the Anderson Collection at Stanford University

Anderson Collection at Stanford University, 20 September 2019 – ongoing

California Dreams: San Francisco, a Portrait

Bundeskunsthalle, Bonn, Germany, 12 September 2019 – 21 January 2020

2019 San Francisco

Hackett Mill, California Luminaries: Diebenkorn, Thiebaud, Bischoff

2019 New York

Leslie Feely, Richard Diebenkorn: Works on Paper

2019 New York

Van Doren Waxter, Richard Diebenkorn: Ocean Park Works on Paper 1978–1991 | From a Private Collection